Book Review: Archangel by Shinn

Archangel by Sharon Shinn

My rating: 4 of 5 stars

Beyond Reality February 2012 Science Fiction Selection

The protagonist, Rachel, grabbed me immediately. Not only was she a superb vocalist, she reminded me in so many ways of my own daughter, also named Rachelle, and who is also a superb vocalist (mezzo soprano, though, instead of Rachel's coloratura soprano). As soon as I finished the book, I sent a recommendation off to my Rachelle, hoping she'd read it and enjoy it as much as I did.

The religious references intrigued me (and sometimes made me laugh - did anyone else think that the name of Semorrah was a mashed-up condensation of Sodom and Gemorrah?) and the musical elements fascinated me. I play piano, attempt to sing (not as well trained as my daughter, so I gave it up as a lost cause at this point in my life) and I know basic music theory. My husband has years of training (jazz trumpet and guitar), composes music and has perfect relative pitch; all of which he passed on to our daughter.

On the question of whether this novel is science fiction or fantasy, I leaned towards the former early on. Once introduced to the oracle Josiah in Archangel, I began to believe I was reading a science fiction story (perhaps along the lines of Pern?). But the rest of the novel revealed little beyond that scene with the Oracle. Another clue could also be derived from the 'smallness' of their 'planet' in area and scope.

I interpreted the singing as magical. The story is mostly a romance, which I normally avoid like the plague, but in this case it worked well.

I have not decided yet if I will continue this series. I'll have to research my friends' reviews of it and see if it gets better or if this installment is as good as it gets.

 All in all, I really enjoyed Archangel, even if it seemed to be a romance masquerading as a fantasy with hints of science fiction sprinkled throughout.

 View all my reviews

Book Review: Ready Player One by Cline

Ready Player One by Ernest Cline
My rating: 4 of 5 stars

I must say Ready Player One easily and quickly became one of my funnest and most memorable reads of 2011. Wade Watts lives in the not too distant dystopian future (mostly in America, but implied world wide aftermath of the post-fossil fuel era). He (and the majority of what's left of humanity) escapes the ravages of poverty and orphanhood through the virtual OASIS reality. When the founder and creator of OASIS dies, he leaves his vast fortune (multi-billions) to whoever can find the egg he hid somewhere in the infinitely vast OASIS universe. Since Halliday obsessed on 80s culture, music, movies and early video games, he expected everyone else to join him. He succeeded posthumously by enshrining the clues to the egg in obscure 80s lore.

Ah, the early geeky memories that flashed before my eyes.

I played Zork and Adventure both. Neither of the two computers I grew up with were listed in the book: a home built Digital Group computer running a very early version of DOS and a Xerox 820 running C/PM. My favorite game (also not mentioned in the book), even more so than Adventure, was one called Nemesis by Supersoft. It's Rogue-like (which I prefer to an all-text based interactive story-type game like Adventure). I yearned to play it again, especially while reading the Second Gate section of Ready Player One, so I found a copy via a Google search. Now to find a C/PM emulator that will run on Windows (or Linus) so I can really revisit the 'good ole days.'

Wargames and Ladyhawke are both two of my favorite movies from the 80s era and the play a significant role in the egg hunt. On the music font, Rush (one of my favorite bands, after Styx and Kansas) provided key elements to the final third of the quest. I almost dug around in my basement for my old dusty Rush albums, but left them to rest in peace. Besides, my husband's band covers older Rush songs so I get a Rush-fix at least once a week.

I am very glad Cline didn't spend much time on the fashions of the day and I ignored most of the other music references (as I was a metal head and refused to listen to pop music). I played nearly all the arcade games mentioned EXCEPT for Tempest.

I wanted more real world information, to learn about the fall of civilization and the consequences of ignoring the ever worsening and appalling conditions rising to destroy what's left of humanity. Some readers have likened Wade Watts to a 'Mary Sue' type character, which is hard to refute since the tale is told in first-person from his point of view. Characterization, aside from Wade, could have been fleshed out more. If a sequel is in the works, I look forward to a deeper look into this world and these characters.

I highly recommend this novel to anyone with a smidgen of geekiness who also happens to be born in the mid-60s or very early 70s (i.e. were you a teenager during the 80s?).

View all my reviews

Novella Review: The Machine Stops by Forster

The Machine Stops by E.M. Forster
My rating: 3 of 5 stars

3.5 stars

I found this gem yesterday via Feedbooks public domain short stories listings. I raised my eyebrows when I saw E.M. Forster wrote a science fiction novella (in 1909). I love reading dystopian fiction, provided I space it between less depressing offerings. Forster surprised me with not one dystopian future, but two. His ideas mixed to form a somewhat steampunkish voluntary Matrix benevolent Terminator mashup.

View all my reviews

Book Review: Mockingjay by Collins

Mockingjay by Suzanne Collins
My rating: 3 of 5 stars

I read this as part of the The Hunger Games Trilogy omnibus ebook edition.

I had high hopes for the final novel of the series, especially after thoroughly enjoying the second novel, Catching Fire. I agree with a few other GoodReads reviewers who stated that Collins accomplished her goal in painting the stark reality that war and violence accomplish nothing and apparently humans can't help but repress and destroy each other, even unto their own extinction.

I also had hope of learning more about the history that led up to the rise of the Panem. But Collins only choose to go back three generations and only once or twice made a reference to the world before the rise of the Panem from the ashes of our civilization.

I suspect a nod to Ray Bradbury in the name of the sharp shooter squad District 13 assigned Katniss and Gale to as part of the rebel army. The prevalence of Ancient Roman names among the Capital citizens and a reference to 'bread and circuses' paints the Panem as a resurrected Roman Empire imploding faster than the original.

While predictable, the ending left me dissatisfied. I don't feel comfortable recommending this book to young adults, even though Collins wrote it for that audience.

As a 'former' parent (my kids are grown, either married or in college), I would treat this entire trilogy just like an R-rated movie. Don't read it unless you're seventeen (sixteen maybe), mostly due to the violence and gore. Very little if any sexual content exists in any of these novels.

View all my reviews

Book Review: Catching Fire by Collins

Catching Fire by Suzanne Collins
My rating: 4 of 5 stars

I read this in record time and surprised myself by liking it better than the first book, the Hunger Games. Katniss' relationship with her family, friends and handlers evoked more emotions, believability and depth. The Victory Tour provided a glimpse of the wider world, showing me tantalizing bits of the various Districts and the ruins of civilization destroyed during the Dark Days seventy-years before.

I still find it hard to believe that fascism could survive so long. The unbearable inhumane conditions of the District 'citizens', the calculated cruelty of the Hunger Games, augmented in this novel by the Quarter Quell, a sadistic 25-year anniversary twist to the regular annual reaping of the rebel Districts' youth. The cost in lives, and the sacrifices made, reflect a horror I hope we never forget from our own not-too-distant past.

View all my reviews

Book Review: Divergent by Roth

Divergent by Veronica Roth

My rating: 4 of 5 stars

Welcome to Post-Apocalyptic Chicago, where the trains never stop (even to take on or drop off passengers), the streetlights go dark by midnight and Lake Michigan is now the Marsh. The surviving remnants of humanity think they've found the cure for war in the five factions: Amity (the peacemakers), Candor (the honest), Erudite (the scientific), Dauntless (the brave) and Abnegation (the self-less). Choose your path (for life) when you turn sixteen or live destitute among the faction-less, a fate worse than death for anyone raised in a faction.

We meet Beatrice as she approaches her sixteenth birthday, the day of her aptitude test, designed to help her decide what faction she will join. Raised in a prominent Abnegation family, she feels like a constant failure because she isn't self-less enough. Beatrice struggles to be the first to serve others or lending a helping hand, not always thinking of others first as she's been taught. Her aptitude test confirms her confusion, when the results are inconclusive and she's labeled secretly by her helpful Dauntless tester as Divergent and advised never to tell anyone that she is.

At the Choosing Ceremony, Beatrice watches her brother, whom she considers a perfect living example of Abnegation, choose Erudite. Through this shock, she strives to select between Abnegation (and her family) or Dauntless (and never seeing her family again). She chooses Dauntless and soon Tris flies free, proving to herself and all her doubters that she believes in 'ordinary acts of bravery, and in the courage that drives one person to stand up for another.'

The Dauntless initiation process taught Tris fighting skills, forging friends and enemies, and facing her fears. But her Divergence, her uniqueness, gave her the tools to fight for the helpless. For all her inner struggles with her perceived selfishness, Tris excels at self-sacrifice.

Many reviewers compared Divergent to The Hunger Games and I will grant some small similarity. But I liked Divergent much more for its intelligent plot, nice character development, affirmation of core values, re-iteration of corrupting influence of power (or the pursuit of controlling power) and I even enjoyed the innocent romance.

A very quick read (and hard to put down once you start) which I highly recommend Divergent to teens (and adults).

View all my reviews

Book Review: Leviathan by Westerfeld

Leviathan by Scott Westerfeld

My rating: 3 of 5 stars

I read this in mid June 2011 as a member of the Fantasy Book Club group read. A quick, easy read, as I expected from a young adult novel, and one of my first (if not the first) steampunk stories. I learned quite a bit about pre-World War I Europe through my tangential research to better understand the alternate view of those events presented by the author. I definitely related to the Clankers, one of the political powers of this world represented by the familiar Austrian-Hungarian Empire. The Darwinists, on the other hand, fascinated but left me queasy (similar to how I feel now about genetically modified flora and fauna). The inevitable intertwining of the two worlds from our two protagonists provided good action and drama, and some character development, but the ending just frustrated me. If you don't like very abrupt cliffhangers, you might want to have the sequels, Behemoth and Goliath, on hand when you finish Leviathan.

View all my reviews

Book Review: Consider Phlebas by Banks

Consider Phlebas by Iain M. Banks

My rating: 2 of 5 stars

2.5 stars

My first attempt to read Consider Phlebas began a couple of years ago. I made it to the fifth chapter and abandoned the book. This past June, the SciFi and Fantasy Book Club selected Consider Phlebas as the science fiction group read. The discussion leader provided two avenues for discourse: by topic or by chapter. I opted for the chapter course, hoping that by only absorbing one chapter per day I might actually finish the novel. Some chapters made better lunch reading than others (for example, if you're squeamish, you might avoid the sixth chapter, or at least avoid masticating and digesting dinner while reading it).

With my support and therapy groups ready and willing to urge me on, I reluctantly consumed a chapter a day and finished my first (and perhaps last) Culture novel. Many of my thoughts and comments can be found in the discussion threads here.

Banks' writing style lent itself to rich cinematic visualizations, especially of some of the action sequences (escaping from space ships, orbital rings, runaway trains). Those images, created by Banks' prose and my own imagination, are forever seared into my memories, some of them as vivid and visceral as a strobe light flash in a Halloween haunted horror house.

My most intriguing find resulted from the epigraph which quoted two lines from T.S. Eliot's The Waste Land and directly relate to the title and the tone of the novel. My research lead me to further contextual reading in The Waste Land to include the entire section surrounding the epigraph quote:

IV. DEATH BY WATER

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

T.S. Eliot, The Waste Land

I found few likable or relateable characters, with the exception of the robots and Minds (Banks' AI permutation). Knowing nothing of the Culture prior to reading Consider Phlebas, and in light of the quote above, I can understand and appreciate the author's endeavor. Just not my cup of tea.

View all my reviews

Space Opera Showdown Minus the Corral

September is Space Opera month at the five thousand strong (and growing) SciFi and Fantasy Book Club on GoodReads. Wikipedia offers this definition of Space Opera:

Space opera is a subgenre of speculative fiction that emphasizes romantic, often melodramatic adventure, set mainly or entirely in outer space, generally involving conflict between opponents possessing advanced technologies and abilities. The term has no relation to music and it is analogous to "soap opera" (see below). Perhaps the most significant trait of space opera is that settings, characters, battles, powers, and themes tend to be very large-scale.

Sometimes the term space opera is used pejoratively to denote bad quality science fiction, but its meaning can differ, often describing a particular science fiction genre without any value judgement.

So help us choose from among these excellent contenders and make our September space opera adventure glorious!

September SciFi Space Opera Poll

Leviathan Wakes
A Deepness in the Sky
The Tar-Aiym Krang
Downbelow Station
Pandora's Star
Star Wars: Heir to the Empire

5 comments
·
show results
·invite friends

Get Your Hot Summer Book Swaps Here

Due to the Ozone Red Alert Warning for today, I'm staying inside and at home today. This leaves me no excuse but to tackle projects I've neglected for weeks if not months. Overnight I received a BookMooch request to send a book to a Californian, so it got me thinking about my physical book inventory. Once I found the book requested for BookMooch, I packaged it and addressed it sitting in my new library. I grabbed a stack of books I'd set aside as abandoned and started adding them to my GoodReads swap site. And now that I own a Nook Color, I want to see less physical books on my physical book shelves to make room for the more ephemeral ebooks on my virtual shelves.

Jon's moochable book montage

Newly Released eBook Edition of SF Classic - The Forever War by Joe Haldeman

Ridan Publishing released late last week an ebook edition of Joe Haldeman's classic award winning science fiction novel The Forever War.   A must read for any die-hard fan of science fiction, especially the military scifi subgenre.

My review, written two years ago during the Summer of 2009, follows:

The Forever War by Joe Haldeman

My rating: 3 of 5 stars

3.5 stars

If I had been born in the 50s and also been born male, I'm positive I would have loved this story. All the pain, confusion and futility of Vietnam but strung out and extrapolated over three thousand years (or about three years relatively speaking). The last fourth of the book salvaged the first three parts.

I didn't have any trouble grasping the science, the physics or the technology. Haldeman did an excellent job conveying them without making me take a course in quantum physics or string theory.

But again, similar to The Accidental Time Machine, character development suffers, even though we spend months bored in transit. I personally didn't care for or agree with his predictions for societal changes on Earth and elsewhere that occurred while Mandella travelled at relativistic speeds. I did agree with the morale of his story, which is similar to Ender's Game in philosophy.

I've now read most of the classic (and one neo-classic) military science fiction novels. My personal favorite seems to be Old Man's War by John Scalzi, followed closely by Heinlein's Starship Troopers. Haldeman's Forever War follows and the distant finisher remains Armor by John Steakley.

View all my reviews

Book Review: In the Garden of Iden by Baker

In the Garden of Iden by Kage Baker

My rating: 3 of 5 stars

2.5 stars

My first exposure to Kage Baker's writing and to her Company series. In our future (about two centuries ahead of us), both time travel and immortality are discovered. As with most time travel scenarios in science fiction, history can't be rewritten, so said travel is of limited use to the plot and the science is foggy at best. Time travel then becomes a means to transport the reader to a different point in our past. Equally useless to the entrepreneurs of the 24th century is immortality, which can only be applied to very young children and requires extensive cybernetic enhancement.

The Company (aka Dr. Suess) still finds a way to make a buck, sending scientists back to the distant past, recruiting young children from the native population, installing immortality, and putting them to work by scavenging and salvaging priceless art, books, plants, etc. for re-discovery and re-sale (by the Company of course) in the 24th century.

Mendoza is an orphan from the Spanish Inquisition rescued and then recruited by the Company at the very edge of the Pit. After several years of operations and education, she receives her first field assignment, not in the New World (as she desired to be as far as possible away from 'the monkeys'), but in dreary damp England. While collecting rare specimens from the Garden of Iden, she falls in love with one of the manor's servants, a fiercely fanatical Protestant young man adrift in a resurgence of Catholicism courtesy of Queen Mary and Prince Phillip of Spain.

I enjoyed the historical aspects of the novel, especially England during the Counter-Reformation. Kage Baker did a good job of immersing me in both Spain and England. I still prefer Connie Willis' writing style as evidenced in The Doomsday Book and her other Oxford time travel novels and stories.

I'm not a fan of romance, especially teenage romance (and Mendoza is in her late teens while on this first assignment), so I struggled through about half of this book. I also missed some of the humor (or failed to register it as such) exhibited by her fellow agents and their reactions to the 'monkeys' (the cyborg agents' derogatory term for mere mortal men). The predictably tragic ending arrived to my great relief and the novel finally moved back to the original mission - preserving plants.

Perhaps I took the fear and loathing of the immortal agents towards human beings too much to heart. It concerned me that these agents of the Company felt such disdain and dread towards their former brothers and sisters. Commerce and computers seized the day, while the monkeys scampered about and threw bananas at each other. I got the distinct impression that the Company and civilization of the 24th century felt humans were irredeemably inclined to violence and destruction, in a constantly repeating cycle.

I read this novel as part of the Beyond Reality June 2011 book of the month selection for science fiction. To follow or join in the discussion, please stop by our site.


View all my reviews

Doctor Who: The Doctor's Wife

An amazing episode, written by none other than Neil Gaiman, a well known popular award winning science fiction author. Again, I'm too lazy to write my own synopsis, so please visit the Wikipedia article on The Doctor's Wife episode if you need more info.

My favorite snippet of dialogue from this episode:

Idris: You ever wonder why I chose you all those years ago?
The Doctor: I chose you. You were unlocked.
Idris: Of course I was. I wanted to see the universe so I stole a Time Lord and I ran away. And you were the only one mad enough.

This episode is overflowing with revelations about the TARDIS (it's female and likes being called both 'old girl' and 'sexy'). We see more of the TARDIS (well, Amy and Rory running through endlessly similar corridors while the villain, House, terrorizes them). We see other dead TARDISes (or is it TARDI ??) and revisit the Tenth Doctor's console (Tenant's desktop so to speak). Definitely a four star rating.

Next Episode: Rebel Flesh

Doctor Who: The Curse of the Black Spot

"Yo ho ho! or does nobody actually say that?" -- the Doctor (soon to be one of my favorite quotes).

Plot summary at Wikipedia (yes, I'm being lazy again but I have an excuse ... it's Mother's Day).

I thoroughly enjoyed this episode and would give it four stars, possibly more, especially for the dramatic scene between Amy and Rory towards the end and for the pirates! Who doesn't love a romping swashbuckling tale of the high seas, pirates and sea monsters?

And was I the only one who noticed that the newly inaugurated space pirates first visited the Dog Star aka Sirius?

I think I still prefer Robert Picardo over a supermodel with his signature 'Please state the nature of the medical emergency.' But that's just me.

Next week we might meet the Doctor's wife or possibly another time lord. Either way, I'm excited and ecstatic to have exceptional science fiction to look forward to each and every Saturday night. Hip Hip Hurray for BBC America!

Doctor Who: The Day of the Moon

Nearly the first thing we did upon returning home from our weekend getaway to Table Rock Lake, after visiting the necessary room of course, was to watch the Day of the Moon via the DVR. Follow this link for a plot synopsis at the relevant Wikipedia article.



The beginning and middle of this episode kept me confused for longer than I like. And the Silents started creeping me out, similar to the Weeping Angels in "Blink" episode, especially when Amy was wondering a deserted orphanage during a night thunderstorm alone. Part of my confusion probably stemmed from the unreliably nature of the narration. Since the characters (including Doctor Who) could not cohesively remember their encounters with the Silents, we experienced what they experienced without much third-person omnipotent viewpoint advantage.

I am not convinced we have seen the last of the Silents, especially if you consider the continuity flashbacks and foreshadowings. I liked the very American response and call to revolution against the Silents that the Doctor engineered and I especially liked the black box at Area 51, but the resolution arrived too quickly for me.

As to the identity of the girl in the astronaut suit, you can find a good discussion ongoing here where I bring up some questions about who the girl might be and who her mother might be, all of which will be answered in Moffat's good time.

Close to four stars, better than three and a half stars (out of five stars) for an episode of Doctor Who. Next week it appears Doctor Who et al. will be playing pirates and chasing mermaids on the high seas in "The Curse of the Black Spot" episode.

Doctor Who: The Impossible Astronaut

Just a few quick words, thoughts and questions about last night's Doctor Who Season Six premiere 'The Impossible Astronaut' (if you're looking for a synopsis or re-cap of the episode, click on the episode name link). The Doctor, Amy, Rory and River hop across the pond to late 1960s America, unraveling (without alerting the younger doctor) the mystery surrounding the two hundred year older Doctor's demise (yes, a bit of a spoiler but it happens within the first few minutes of the episode).

I enjoyed the nostalgic references to the space program (go NASA! to the moon and beyond!) and Nixon (as Doctor Who states 'so much more happened in 1969 than people remember), but Moffat's latest aliens didn't seem as creative as his extremely creepy weeping angels (see the Hugo and BAFTA award winning episode 'Blink' for further creepiness).

And it begs that question, if these aliens have the ability to make you forget them completely after you are no longer looking at them, why would one of these aliens command Amy to tell Doctor Who something? Don't they realize she'll forget whatever they told her as soon as she turns her head? Here's an excerpt from Amy's conversation with one of the aliens in a White House restroom:

Alien: You will tell the Doctor.

Amy: Tell him what?

Alien: What he must know and what he must never know.

Amy: How do you know about that?

Alien: Tell him.

After which Amy runs gasping from the restroom and immediately forgets what just happened. She did snap a photo of the alien with her cell phone, after she determined that humans forget the aliens as soon as they look away (thanks to a poor woman caught in the conversational crossfire as collateral damage). And was I the only one who that thought the electrifying moaning alien consuming said woman reminded you of Pink Floyd's 'The Wall'? Ew.

An intriguing above-average episode of Doctor Who (more than three, probably close to four out of five stars). I'm still having David Tennant withdrawals as I just can't relate to a Doctor Who played by an actor born just a year before I graduated from high school. I loved having Mark Sheppard, one of my current favorite British (or is that Irish) actors who pops up on many of the shows I watch. The preview for next week's conclusion entitled 'Day of the Moon' look suitably time-twisty and action packed.

Thank goodness BBC America saved science fiction television from complete extinction. Heaven knows, I can't count on Syfy for anything except fantasy (because what else do you call WWE or reality TV)?